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In the
realm of musical instruments it is often true that the better the
quality of the instrument, the more money you need to pay. There
are however, those exceptional bargains that come along from time to
time, that allow those on a tight budget to acquire a respectable
instrument at a reasonable price.
Dr. Von Zuko shares insights on a few of his favorite bargain
instruments. |
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Musicians Cove
- Guitar & Drum Reviews at the Middle Tier |
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Dr. Von Zuko's
Favorites
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Standard Fender Stratocaster
I initially bought this no frills standard model Strat as a back-up
. . . however, this is a really great guitar! It is the easiest,
smoothest playing Strat I've ever owned! Right out of the box!! In
my opinion, it plays better (with light Fender Bullet strings) then
my 65' Strat or my Gibson LP Custom.
Okay, so this axe was assembled in Mexico, so what! It still
has that exceptional Fender quality, at a downright cheap price. I
use it in the studio for recording and composition purposes, and
it's a solid workhorse that cranks out some sweet tones. I would
recommend this guitar to anyone who's not looking to lay out serious
cash but needs a serious axe. I went for the Chrome Red with Maple .
. . has outstanding fit & finish and makes for an awesome looking
guitar! Oh, and it holds tune extremely well. (Expect to
pay $399 to $499)
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Fender Telecaster Thinline (72
Reissue)
This 72 reissue is one pretty guitar, and definitely one of my
favorites! The fit and finish is clearly up to the Fender reputation
. . . excellent! The playability is superb and the dual
humbucker array and semi-hollow body provide a great range of tones
ranging from classic country twang, to an awesome full bodied blues
growl. I’m using this wicked little instrument in the
recording studio and have found that with a little help from the
right amp, you can coax just about any sound out of her that you
desire! The biggest plus here, is you don’t need to spend serious
money to get a ‘way serious’ (and beautiful) guitar.
(Expect to pay $700 to $900)
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Washburn XB100 Bass
This bass was one of my biggest surprises in the range of bargain
basement bass guitars! After a little bit of setup it's really
quite nice. Easy to play, very light weight, good looks with a
good centerline of balance. Tonal quality is quite good as
well and it holds tune better than most. This is a great
beginner or intermediate bass but it also makes a nice back-up unit
for a more experienced player.
The Washburn XB100 has really nice fit
and finish; especially when compared with other bass guitars in this
price range ($100-$200). Unfortunately, you'll have to find a
used one, as Washburn no longer produces the XB100.
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Epiphone Dot Studio
Semi-Hollow Electric Guitar
Okay, to be perfectly honest, I initially bought this
guitar as a “wall hanger,” that’s right, an ornament for my studio .
. . I thought it looked pretty cool, and would look even better
hanging on the wall! It does have that “Pop Art Minimalist” look to
it. Little did I realize, I was getting a really decent quality,
highly playable, sweet sounding instrument.
In terms of sound quality, which is best described as thick and
rich, and its nice feel, weight, balance, and playability, I’d rank
this guitar as one tremendous bargain!
The fit and finish is truly amazing for a guitar in the lower end of
the price range. The semi-hollow body is of high quality laminated
Mahogany (top, back, and sides) with a beautiful flawless finish,
and it has a set Mahogany neck with a Rosewood fretboard. Now there
are no inlays in the fretboard, but if you can already play, you
don’t need those anyway. The vintage open-coil Alinco V Plus
Humbucker pickups, and all black hardware really add to the package.
I just can’t get over how great this guitar sounds when plugged in.
This has to be “right up there” as one of the best guitar values
ever!
The Epiphone Dot Studio is essentially a Gibson 335 clone. (We all
know Gibson and Epiphone are the same company right?) So, why spend
big bucks for a Gibson 335 when this baby is on the market? You ask!
Excellent question . . . If you are a guitar snob, and have plenty
of money you’ll never be convinced that this is a close comparison.
If you open your mind a bit, pick up the Epiphone Dot Studio and
give it a try, you might just answer that question yourself.
B.T.W.
Guitar Player Magazine (June 2005) gave the Epiphone Dot Studio a
glowing review, comparing it to the Gibson 335! |
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OSP DD-502
Electronic Digital Drums
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This digital drum has got to be one of my biggest instrument
surprises yet!
Yes, Rolland is the "Gold Standard"
when it comes to digital drums, however, not everyone can fit a
Rolland into their budget.
I have played Rolland sets, Yamaha's and others This set is 'not a
toy' by any means it is a serious drum kit!
Intrigued by the amazingly low price I watched and listened to an
online demonstration about 25 times . . . I simply couldn't believe
it. I then decided, what the heck, I'll take a chance, it's
not that much money. |
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When my OSP DD-502 arrived I still could not believe it. As I
was unpacking and assembling this set, I kept thinking, wow this is
fantastic quality. All of the pieces where well made and of
substantial, good quality materials. Everything was engineered
to fit together, and it all went together easily (just follow the
directions.)
The OSP DD-502 takes standard 8 inch drum heads not little rubber
pads. You can outfit the kit with Evans, Remo, or any other
drum head. The sensitivity is fantastic, the velocity follows
your playing pressure and the target area extends across the entire
drum head. The drum brain is fantastic: 215 voices, 20 pre-set
kits, and 10 user defined kits. Another interesting feature
are the 50 preset songs you can play along with.
It has five heads: 3 Toms, 1 Snare, 1
Kick drum. All hardware, cymbals, kick peddle, high-hat
control peddle and cables are included, I only had to buy a throne.
Plugging it in nearly blew my mind . . . wow! Other
manufacturers should be afraid . . . be very afraid. What a
great digital drum kit! Again I will say . . . this is no toy,
it is a good pro-quality digital drum kit.
I bought mine at www.ebay.com
for a ridiculously low price.
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by:
Dr. Von Zuko 2007© |
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Line 6 Spider
II 210 (Amp)
“Cool and Versatile –
One great Amp!”
The Line 6 Spider II 210 sits in my recording studio, and what a
cool little amp it is! I was first exposed to it when checking
out a Telecaster Thinline at a guitar store, and that was all it
took, I knew I had to have this amp! Its range of easily
controlled FX and the ability to mimic various amp models allows
it to easily hold it’s own in my studio with two ‘up-line’ Fender
amps and my vintage 1960’s Danelectro Explorer (tube) amp.
It fills a nice ‘tonal’ gap between the dirty blues bite of the
tube amp, and the super crisp icy clarity of the Fenders, allowing
me to tune in some very cool, edgy sounds. With its 120 watts
and 2 10" speakers, I’m sure this amp would also be gig worthy . .
. say in a smaller club venue . . . it has plenty of punch! Line
Six no longer makes it so in my book, it's a cool, quality amp
that can be had at a super low price on the used market.
(Expect to pay about $200 to $225 used)
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The fender Rumble 60 Bass Amp
I initially bought this amp as a studio bass amp, and it serves
that role exceptionally well, however, once I plugged in the
electronic drums, I discovered how flexible this amp truly is.
Great crystal clear sound that doesn't break up even over the
lowest of lows. It now has the exclusive role of amplifying
my drums.
This is the perfect studio amp and unless you're playing larger
venues like gymnasiums, this little 60 watt amp will carry you
through most club venues. Its housed in a very road worthy,
rugged cabinet and yet it's very portable and fairly light weight.
Nice little red light show pulses from the bottom of the cabinet
as well.
A super amp for the money.
(Expect to pay $250 to $300)
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The Jimi Hendrix Experience
Peddle
Ordinarily, I'm not very impressed
with 'celebrity branded' effects peddles. The Jimi Hendrix
Experience pedal from DigiTech, however, is an exception I'm more
than willing to make.
This very cool peddle actually captures seven of Hendrix's
signature tones that changed rock guitar playing forever.
The sounds were created using the original masters at Electric
Lady Studios in association with Eddie Kramer, Jimi's
original recording engineer. The pedal so closely models the fine
nuances of Hendrix's sounds that each pedal requires two AudioDNA
DSP chips.
I love this peddle!
(Expect to pay $180 to $200)
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by: Dr. Von Zuko © |
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Dr. Von Zuko's Reviews of guitars, amps,
digital drums and accessories.
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